- Ph.D., University of Chicago, 2011

Cooper Harriss
Associate Professor, Religious Studies
Adjunct Professor, Folklore and Ethnomusicology
Adjunct Professor, Comparative Literature
Associate Professor, Religious Studies
Adjunct Professor, Folklore and Ethnomusicology
Adjunct Professor, Comparative Literature
My research and teaching deploy a wide range of texts (including literature, vernacular music, preaching, and performance) to discern ways in which religious thought, belief, and practice both contribute to and are generated by the formation of diverse American cultures in the US and around the world. My recent work explores certain religious and theological dimensions of the concept of race, tracing critical religious terms of its development and cultural expression in American, African-American, and global contexts.
Toward these ends my first book, Ralph Ellison’s Invisible Theology (NYU 2017), marshals archival research, close readings, and studies in religion, literature, and secularism, aiming broadly at two objectives:
My next project, Muhammad Ali and the Irony of American Religion, represents the first book-length assessment of the boxer Muhammad Ali as a religious figure. Rather than simply situating Ali within a broader trajectory of “American religion,” however, I argue that he offers a lens for reframing the terms of postwar American religion. Doing so shifts the emphasis away from older conceptions rooted in Protestant denominational histories, attention to religious freedom and cultural diversity, and other narratives grounded in American exceptionalism, arguing instead that through attention to dimensions of the global and transnational, race, gender, sexuality, law, poetics, bodies, disability, and the emergence of Islam as an American religion—all of which Ali comes to represent through the many valences of his public persona—Ali redefines “American religion." Neither hagiography nor conventional biography, Muhammad Ali and the Irony of American Religion offers an ambitious alternative path for American religious studies.
Elsewhere I have published on Zora Neale Hurston, Nat Turner, Bob Dylan, Kurt Vonnegut, biblical reception in American literature and folklore, the concept of irony, and the contemporary musical genre known as “Death Gospel.” My essays and reviews have appeared in African American Review, Biblical Interpretation, Callaloo, The Immanent Frame, The Journal of Africana Religions, The Journal of Religion, Literature and Theology, and Soundings (among other venues). Past and future courses and teaching interests include religion and sport, irony, American preaching, the “profane” in American culture, and religious dimensions of various literary forms and genres, including historical fiction and detective fiction.
Contributors: Courtney Bender, Jeremy Biles, Liane Carlson, Joshua Dubler, Hannah C. Garvey, Erik Thorstensen, Winnifred Fallers Sullivan, Cooper Harriss
2022
“Time, Narrative, and All that Jazz: Ellison, Ricoeur, and Invisibility’s Hermeneutic Circle,” Literature and Theology 32: 4 (December 2018): 423-33.
“Preacherly Texts: Zora Neale Hurston and the Homiletics of Literature,” The Journal of Africana Religions 4:2 (2016): 278-90.
“One Blues Invisible: Civil Rights and Civil Religion in Ralph Ellison’s Second Novel,” African American Review 47: 2-3 (Summer/Fall 2014): 247-66.